Works by this Artist
Meeting
Mariya Bashkirtseva (Marie Bashkirtseff) 1884
Images
Fig 1
Bashkirtseva's impressive tomb in Passy Cemetery, Paris (16th arrondissement)
Fig 2
Bashkirtseva Tomb. The titles of Baskirtseva’s paintings are inscribed on an exterior wall of the tomb.
Fig 3
Bashkirtseva tomb. The tomb interior is furnished like a living room and includes a painting by Bashkirtseva.
Background
wealthy family
Studies
with Tony Robert-Fleury and Jules Bastien-Lepage at Académie Julian (Paris)
Career
- 1877 – settles in France
- 1880 – exhibits at the Paris Salon under the pseudonyms Marie Constantin Russ and Andrei; publishes article on women’s rights in La Citoyenne (20 February 1880) under the pseudonym Orell
- 1884 – exhibits The Meeting at Paris Salon; it is purchased by the French government
- 1887 – posthumous publication of Bashkirtseva’s diary, Le Journal de Marie Bashkirtseff
Travels
Egypt (1856); New York (1871)
Important Artworks
- Sorrow of Nausicaa, 1882 (sculpture, Musée d’Orsay, Paris)
- Spring or April, 1884 (Russian Museum, St Petersburg)
Documentation:
Bashkirtseva’s friend Mathilde Blind described the artist’s arrival at the Académie Julian in the Passage des Panoramas in October 1877:
“At first, her master [Rodolphe Julian] took this wish to paint for the caprice of a spoilt child; which would soon pass when confronted by the difficulties of execution. Before long, however, he recognized his mistake; he telt that she was a power; that there was something which lifted her out of the ranks and placed her apart among her fellow pupils. Something which gave to her first efforts, however crude and tentative, a vigor and spontaneity which were truly astonishing. And he discovered, too, that so far from playing at art she was in deadly earnest. Instead of being less regular in her attendance than the other art students, she flung herself into her work with the passionate zeal of an enthusiast. Morning, noon, and night found her either at her easel, or else taking private lessons in anatomy and modeling, or haunting sales and picture galleries – always on the alert to improve herself. Indeed, Julian found her a little monster of energy, of talent, of ambition, of concentrated will. Whatever she took into her head to do, she did and accomplished the seemingly impossible."
Mathilde Blind, “A Study of Marie Bashkirtseff,” Jules Bastien-Lepage and His Art. A Memoir, André Theuriet, ed. (London: T. Fisher Unwin, 1892), 157.
Readings:
- Bashkirtseff, Marie. The Journal of Marie Baskirtseff, Mathilde Blind, trans. London: Virago, 1985. Introduction by Rozsika Parker and Griselda Pollock